Middletown, Then and Now

From 2010 through 2015 I worked at the Russell Library in Middletown, CT.  Russell Library has a wonderful historic photograph and postcard collection and we really wanted to make it more accessible.  Denise Russo, one of the librarians at Russell, and I had many conversations about how we could make this happen.  In the summer of 2013 we had our pages and a student worker begin a huge scanning project so that we could make our collection more accessible.  Over the next couple of years we would occasionally post some of the digitized images on Flickr or the library's Facebook account.  

In 2014 our attention was shifted away from this digitization project to an Irish Heritage Celebration that Denise coordinated.  It was a huge success and Denise won a state-wide award for her efforts.

From the project, El Cusco de Martín Chambi

When things calmed down a bit Denise and I both independently stumbled across versions of "Then and Now." projects.  I don't recall the one that she found, but I was intrigued by a project that the Martín Chambi Photographic Archive and Dartmouth put together.  This project brought Martín Chambi's historic images of Cuzco, Peru to life by placing enormous enlargements on the streets where the original photos were taken.  This allowed people to see what had changed and what had remained the same in their historic city.

It seemed like doing a Then and Now project in Middletown was our obvious next step.  We already had the "Then" part digitized.  It seemed like we had all the time in the world to do the "Now."  So, naturally we didn't do much.  I went out once in the spring of 2015 and got a few shots of the north end of Main St., but that was about it.  In December I was hired at another library about an hour from Middletown.  That lit a fire under us.  Over the course of two days in January, Denise and I went out and wandered Main St. in the bitter cold and drove all over the city. We probably looked like a pair of lunatics toting clipboards and cameras, standing in one spot, moving a foot the left, two feet to the right, waiting for traffic to stop to run out in the middle of the road, all to make an attempt at recreating a photograph from a much earlier time.

Here are a few examples of what I have had the time to put together so far.  There will be many more to come.

124 Washington St. Middletown, CT

This one is 124 Washington St., the current home of MARC Community Resources.  Oddfellows Playhouse is the building to the left.

The Armory

Originally a mansion, later a National Guard Armory, this prominent Main St. building is now the Inn at Middletown and the Tavern at the Armory.

The Arrigoni Hotel

The Arrigoni Hotel, located at the corner of Main St. and Liberty St., opened in 1915.  It was a 36 room hotel that had 5 private dining rooms.  In 1995 The Connection, Inc. purchased the building and converted it into Liberty Commons, the first supportive housing program in the state.  The bottom floor is currently the Buttonwood Tree, a local performing arts and cultural center.

Main St. Fire House

The Main St. Fire House was built in 1899 in the Renaissance Revival Style.  It has been in continuous use ever since.

Municipal Building

The old Town Hall is now a parking lot for Bank of America.

Andahuaylillas and Huaro

The churches in the towns of Andahuaylillas and Huaro, along with the Virgen Purificada in Canincunca make up the Ruta Barroco Andino.  It is sort of surprising to see such opulent churches is towns such small towns.

Andahuaylillas

The town of Andahuaylillas is situated about an hour south of Cusco in the province of Quispicanchi.  Andahuaylillas was founded in 1572 by the Spanish as one of the reducciones that were created to re-settle native populations and facilitate their conversion to Christianity as well as to create a ready supply of easily exploitable labor.  

Iglesia de San Pedro, Andahuaylillas

Street corner in Andahuaylillas

After traveling from Puno at over 12,500 feet, Andahuaylillas felt almost tropical at 10,000 ft. The main attraction at Andahuaylillas is the Iglesia de San Pedro.  The Jesuits began construction in 1570.  The building was completed in 1606.

Ornate entrance to Iglesia de San Pedro, Andahuaylillas

The Iglesia de San Pedro is located on the southwest corner of the Plaza de Armas.  It was originally the site of a huaca, or Inca holy site.  The Iglesia de San Pedro is known as the Sistine Chapel of the Americas because of the ornate baroque interior.  The walls are completely covered with murals and canvases.  The altar is most impressive.

Iglesia de San Pedro from the Plaza de Armas

Riaño's Camino al Cielo y Camino al Infrierno.  From the blog De Arte y Cultura

Juan Perez de Bocanegra was the parish priest for Andahuaylillas when the church was completed.  He was responsible for commissioning Luis de Riaño to paint the impressive murals that adorn the inside walls in the 1620s.  Luis de Riaño's most famous mural is the Camino al Cielo y Camino al Infierno which is painted around the main entrance on the inside of the church.  The painting depicts the paths to Heaven and Hell.  

Baroque interior of the Iglesia de San Pedro.  From Ruta Barroca Andina

Many of the paintings incorporate native religious symbols in an effort to evangelize the local population. This is the same reason the church was built on an Inca shrine.  Another example of incorporating native symbolism into the church is the very prominent Sun that sits atop the altar.  Inti, or the Sun, was one of the primary Inca deities.

Crosses at Iglesia de San Pedro, Andahuaylillas

Huaro

About five minutes south of Andahuaylillas is the town of Huaro.  Like Andahuaylillas, Huaro is home to a very ornate baroque church, San Juan Bautista de Huaro.  Both towns are located along the Inca road system that went south from Cusco.  

San Juan Bautista de Huaro Church in Huaro

San Juan Bautista de Huaro is a Jesuit church that was built in the late 16th century.  Murals were painted on the walls and ceiling, new ones often covering older ones.  The murals are aimed at explaining the Christian cosmology to the native population and they often incorporated Andean symbols.  

San Juan Bautista de Huaro bell tower

Choir loft of the San Juan Bautista church in Huaro.  Image from Ruta del Barroca Andina

There are several canvasses on the walls as well that are typical of the Cusco School of painting. The most notable artist whose work is in the church is Tadeo Escalante.

Intricate stone patterns in the plaza in front of the church

Street in Huaro

There is a long history of human settlement in the Huaro region.  This area was settled by the Wari people long before the Inca and later, the Spanish.  The nearby ruins, Pikillaqta or "Flea Town", date to this period.  Excavations in Huaro itself also revealed Wari settlements.

San Juan Bautista de Huaro

Both Huaro and Andahuaylillas lie in the Vilcanota River Valley.  The Vilcanota ultimately becomes the Urubamba and flows through the Sacred Valley of the Incas, eventually winding around the mountains that kept Machu Picchu hidden for centuries.  Huaro and Andahuaylillas are also situated on what was once the main Inca road that led from Cusco to Lake Titicaca.  They are very small towns that would be easily overlooked if it weren't for their ornate baroque churches.  If you are staying in Cusco, they are well worth a visit.  Another way to see them is by using bus services, like the Inka Express, which run between Puno to Cusco, although your time is rather limited in each town.

Building on the Plaza de Armas in Huaro

Temple of Viracocha, Raqchi

Central wall of the Temple of Viracocha in Raqchi

After crossing the highest along route 3 at Abra la Raya, you find yourself in the Vilcanota River Valley. The Vilcanota ultimately becomes the Urubamba River which flows through the Sacred Valley and around Machu Picchu.  These are the headwaters of one of the most significant rivers in the Andes.  The Urubamba eventually empties into the Amazon.

Vilcanota River Valley on the northern side of the Abra la Raya pass

The first major site along the way is the Temple of Viracocha at Raqchi.  Viracocha was the creator deity of the Incas.  Viracocha was said to have originated from the depths of Lake Titicaca to create the world.  While traveling north from Lake Titicaca, he stopped in Raqchi where he was insulted by the local Canas people.  He got mad and decided to rain fire down upon the Canas.  The fire apparently came from the local volcano, Kinsachata, which still has black volcanic rock on its sides.  The Canas must have been thoroughly impressed by this demonstration since they ultimately became loyal subjects to the Inca and built a statue to honor Virachocha.  Over time, this statue became the focal point of successive temples to Viracocha, ultimately culminating in one of the largest buildings in the Inca Empire, the Temple of Viracocha at Raqchi.

View of the central wall on the western side of the site

The remains of the temple at Raqchi are very imposing.  The temple complex would have dominated the Vilacnota River valley.  The last incarnation of the site was built by Huayna Capac, the last Inca emperor to rule a united empire.

The overall site is nearly 200 acres.  A 2 mile long wall that runs along the hills encloses the site.

Temple of Virachocha

The most impressive of the ruins is the central wall of the the temple.  Sitting out on the plain, it resembles a Roman aqueduct.  The wall is 39 feet tall.  The first 9 feet are made of finely worked Inca masonry.  The base of the wall is reminiscent of the quality of stonework on palaces and temples in other Inca estates along the Vilcanota/Urubamba River in Pisac and Ollantaytambo. 

Detail of the adobe portion of the central wall

What sets this site apart from other ruins is the vertical scale of the wall.  The upper 30 feet of the central wall is made of adobe.  Today it is capped with tiles to preserve the adobe.  Originally it would have supported a pitched roof that would have covered 25,000 square feet, making it one of the largest canchas, or halls, built by the Incas.

An interpretation of how the Temple of Viracocha may have looked by Graziano Gasparini and Luise Margolies

A series of 11 circular columns on either side of the wall helped to support the roof.  The circular columns at Raqchi are quite rare in Inca architecture.  As with the central wall, the base was made of finely worked stone and was topped with adobe.  There is only one remaining intact column.

Eastern side of the wall.  Note the circular column in the distance.

The Inca chronicler, Garcilaso de la Vega described the interior of the temple as being like a labyrinth.  Visitors would walk in a zigzag pattern through the openings in the central wall and the circular columns ultimately arriving at the statue of Viracocha.  The Spanish, seeing the temple as an affront to the church, ended up destroying the temple and statue.

One of the surviving column bases

Just to the east of the Temple of Viracocha is what was likely a residential area.  The construction of the back to back buildings mirrors the temple itself, with each building having a large central wall that divides each structure into two symmetrical dwellings.  Like the temple they are made of stone at the base with taller adobe walls on top.

One of the buildings in the residential area.  This one did not have the taller adobe wall on top any longer, but others can be seen in the distance.

View of the residential sector

The main avenue that runs through the residential area.  The buildings on either side are perfectly symmetrical and the road is oriented east-west.

South of the residential sector is a series of 80 circular structures that were probably used for storage.  Circular architecture like this is uncommon in typical Inca architecture.  Archaeologists Bill Silar and Emily Dean believe that these structures were built by the pre-Inca Huari-Tiahuanaco culture.

Circular storage qollqa

There are approximately 80 structures like this in various states of ruin along this wall

There is a swampy area that was once a reflecting pool near the entrance to the temple.  This is consistent with the design of complexes built under Huayna Capac's rule.  There were similar pools on his estate in Urubamba.

One time reflecting pool

When the Incas conquered the Canas people, they incorporated the Canas beliefs and holy sites, ultimately putting their own spin on it.  Raqchi became a mythical stop on Viracocha's journey from Lake Titicaca to Cusco.  They built the temple complex in the heartland of the Canas and made them a key part of the Inca empire.  

Colonial church in San Pedro near Raqchi

The Spaniards attempted to do the same thing.  They saw a resemblance between the statue of Viracocha and Saint Bartholomew.  They encouraged the natives to take Bartholomew as their patron saint. Like the Inca, the Spanish would often construct their churches on the foundations of Inca holy sites in an effort to co-opt the sites.

Detail of bell tower on church

Cross in the small plaza outside of the church

A town four miles up the road from Raqchi, San Barolomeo de Tinta, was named for Saint Bartholomew.  Tinta ended up being the base of Tupac Amaru II's rebellion against the Spanish that tore through the Andes in 1780, ultimately threatening Spanish Colonial rule.  Amaru was finally captured and taken to the main plaza in Cusco where we was drawn and quartered.

Much of the background for this post came from Susan Niles' The Shape of Inca History: Narrative and Architecture in an Andean Empire and John Hemming and Edward Ranney's Monuments of the Incas

Altiplano, Pucara and Apu Chimboya

The Altiplano

Just down the road from Sillustani are a series of traditional country homes.  While only an hour or so from Puno, it is a different world.  The whole region is known as the altiplano, which translates to “high plain.”  The altiplano stretches from northern Chile and Argentina, through Bolivia and up along the Andes into southern Peru.  The average altitude is 12,300 ft.

Traditional country home along road to Sillustani

Weaver near Sillustani.  Note the toritos, or little bulls, on the rooftop.  They are a very common decoration in the altiplano, even up into Cusco.

View from the courtyard of a home near Sillustani

Traveling along Route 3 from Puno to Cusco, there is a stark, barren beauty everywhere you look.  Homes and villages are interspersed along the way.

Walking home along the altiplano

Rural cemetery along Route 3

Pucara

Pucara is a small town of fewer than 2,000 inhabitants 67 miles north of Puno.  

Motorcycle in front of small shop just off the Plaza de Armas in Pucara

For such a small town, Pucara is widely known throughout the region for the pottery that is produced there.  In particular, toritos, the little pairs of bulls that are found on rooftops from Puno to Cusco originated here.  The toritos are said to be symbols of luck and fertility.

An ornate torito on a fence post outside of the the Iglesia Santa Isabel

More rooftop toritos

The Plaza de Armas in Pucara is an attractive little square dominated by Iglesia Santa Isabel. Santa Isabel was built by the Jesuits in 1767 in the typical Andean Baroque style that is so common throughout the altiplano.

Santa Isabel

North to Abra la Raya

North of Pucara there are a series of small homes and villages along Route 3.  This high plains slowly grow into much taller peaks in the distance.

Motorcycle somewhere north of Pucara

The village of Santa Rosa

Farm with the mountain, Khunurana, in the background.

Village church just before the Abra la Raya pass.

After passing Santa Rosa, it was just a little bit further to the Abra la Raya pass.  This is where the Puno Department ends and the Cusco department begins.  The pass is at an altitude of 14,172 feet, which I believe is the highest I've ever been.

Woman at the Abra la Raya pass

The waters which flow from the mountains in the La Raya range ultimately form the headwaters of the Urubamaba River which ultimately flows through the Sacred Valley and around Machu Picchu.

Apu Chimboya

Sillustani

The dramatic ruins at Sillustani are a little over 20 miles northwest of Puno.  The site consists of a number of funerary towers, or chullpas, that were originally built by the Collas, and ethnically Aymara people that were eventually conquered by the Inca in the 15th century.  The Incas continued the tradition of building these towers.

Chullpa Hatunwasi Chambilla

Lago Umayo

The site sits on a peninsula that rises above Lake Umayo.  You get to the site by traveling to the small town of Sillustani which sits just to the east of the peninsula.  Lake Umayo lies just northwest of Lake Titicaca roughly half way between Puno and Juliaca.

The Intihuatana at Sillustani

Intihuatana, which roughly translates from Quechua to "hitching post of the Sun", are ritual stones that are used to worship and observe the passing of the sun.  The most famous example is the Intihuatana at Machu Picchu.  On the walk up to the chullpas at Sillustani you walk past this small temple which once housed Sillustani's Intihuatana.

Chullpa Lagarto (Lizard Chullpa)

Ancestor worship and the preservation of mummies were central to many Andean cultures.  The chullpas of Sillustani were where the elite of this region would reside after death.

Chullpa Hatunwasi Chambilla

Most of the chullpas contained the remains of multiple individuals and were likely used to preserve and venerate ancestral lineages, or ayllus.  The chullpas were also used to assert ethnic identity and territorial control.

Some of the more rustic chullpas

Lago Umayo, with Isla Umayo in the background

Isla Umayo, the largest island in Lake Umayo, is now a preserve that is used to protect vicuña, the small, wild relative of the llama.  Dating back to Inca times, vicuña have been a protected species.  Their very fine, warm wool can only be collected once every three years.

Chullpa Lagarto

Chullpa Lagarto is a partially collapsed tower that shows the rough interior that is located beneath the finely worked exterior.  High up on the north side of this tower is a carving of lizard, which gives the tower its name.

The archaeological site seen from the town of Sillustani

"A Show of Hands" at the Spectrum Gallery

Three of my photos from Peru are part of the current exhibition at the Spectrum Gallery in Centerbrook, CT.  The exhibition, "A Show of Hands" celebrates the fabric arts.

Peru has a rich tradition of weaving and knitting.  On two trips to Peru over the last few years I've had the opportunity to visit two communities that keep this part of the culture alive, Chinchero and Taquile.

Man knitting a chullo on Taquile

Taquile is an island located on the Peruvian side of Lake Titicaca.  It is a very isolated and traditional society.  Taquileños are renown for their handwoven textiles.  On the island, all knitting is done by men, and women exclusively make the yarn and weave.  I took the photo of the man knitting a chullo, a traditional Peruvian hat, in the main square on Taquile.

Making traditional dyes in Chinchero

Chinchero, a small community near the Urubamba River valley, is home to a weaving cooperative that practices traditional methods of dyeing and weaving textiles.  This photo shows one of the practitioners in the process of making a red dye made from cochineal insect which feeds on a local cactus.  

Mother and child near Cusco

The photo of the mother and child was taken above Cusco, the capital of the Inca Empire.  She was using a drop spindle to spin the wool into yarn.  There is a large ball of yarn that she had been working on under her left arm.  

Ricker Pond State Park - Groton, VT

One of the nice things about taking a lot of photos, is that every once in a while you stumble across a whole batch of pictures that you completely forgot about or just never got around to taking a look at.  This weekend I did just that.  Over the summer we took a trip up to Vermont where we met my sister, brother-in-law and my two nephews. 

Rock on Boulder Beach

This one reminds me of Seraut's A Sunday Afternoon on the Island of La Grande Jatte

My nephew, maybe pretending he's Gollum?

My brother-in-law, Mike fishing at the end of the day

Boulder Beach

Puno

Puno is the ideal city to use as a base to explore the Lake Titicaca region.  It has a population of nearly 150,000 and sits at 12,556 ft. (3,830 m.) above sea level.  The city sits on a small plain between the lake and the foothills of the mountains that surround it.  Boats regularly leave to go to the nearby Uros Islands and the islands of Taquile and Amantani.  The Chullpas de Sillustani, pre-Inca and Inca ruins, are also nearby.  I wouldn't rate these as some of my best photos, but I felt like Puno deserved it's own blog post.

Rally for local candidate, Hugo Llano

We flew into the airport in the nearby city of Juliaca and took a bus into Puno.  It quickly became apparent that it was election season.  There wasn’t a wall on the road to Puno that didn’t have an election slogan painted on it.  When we got to Puno, there was large march going through the streets in support of local candidate, Hugo Llano.

Common area at Casa Panqarani

The altitude is quite an adjustment if you fly directly in from Lima, which is at sea level.  Fortunately, I didn’t have too many symptoms of soroche, or altitude sickness.  However, after we settled in at the Casa Panqarani (which I highly recommend), I ran up a flight of stairs to ask Consuela, one of the owners a question.  Apparently what little oxygen I was bringing into my lungs did not make it up to my brain.  I suddenly lost all ability to speak Spanish.  I remember standing there and thinking that I must sound like a complete blithering idiot (more so than usual).  Fortunately, that was the only time the altitude affected me.

Coca tea

One of the local remedies for dealing with the altitude is coca tea.  Coca tea is made by steeping coca leaves in hot water.  Coca leaves are an important part of Andean culture.  Chewing them alleviates symptoms of altitude sickness and provides a nice, even boost of energy, much subtler than coffee. 

Jiron Lima, the main pedestrian walkway in Puno

A couple on Jiron Arequipa

Potatoes, thousands and thousands of potatoes.

The Central Market isn’t exactly the number one tourist attraction in the region, but it was one of the more interesting spots that we stumbled upon in Puno.  The ground floor was vendors selling fresh produce and meat.  The Puno region is where the potato was first domesticated.  Today there are more than 4,000 varieties of potato.  It seemed like most of them were for sale at the Central Market.

Shrine in the Central Market

There is an entire section of butchers in the Central Market.

Hat maker in the Central Market

The upper floor had vendors that sold a wide variety of goods.  There were a number of cobblers, many vendors selling fabric and clothes and hat makers.  It was interesting getting to see where the bowler hats that are so common among Andean women were made.

A tricolo or motorcycle rickshaw.  An inexpensive and fun way to get around town.

Puno Cathedral, or Catedral Basilica San Carlos Borromeo

The Puno Cathedral, or Catedral Basilica San Carlos Borromeo, sits on the west side of the Plaza de Armas.  It was designed in the Andean Baroque style by Simon de Asto in 1757.  For as ornate as the cathedral is on the outside, it is surprisingly austere on the inside.

Ornate baroque entrance of the Puno Cathedral

Taquile

From the Uros Islands, we continued on to the island of Taquile.  It was another two hours or so by motorboat.  Taquile is about 22 miles from Puno, the major city on the shore of Lake Titicaca.

Jose, who ferried us around Lake Titicaca.  Some of the traditional Uros boats can be seen in the background.

Taquile and the bow of Jose's boat. A panorama taken with my phone.

The islanders of Taquile maintain a very traditional lifestyle.  There are no cars or asphalt roads on the island.  Nor are there hotels.  If you want to stay the night, a homestay with a local family is the only way to do it.  Families take travelers in for homestays on a rotating system.  

Agricultural terraces and the trail up from Puerto Alsuno on the north end of the island.

Agriculture, weaving and tourism are the major sources of income on Taquile.  

The island of Amantani in the background.

Potatoes, quinoa and barley are rotated throughout the terraces annually.

Moving the sheep to a different pasture

During periods when the terraces are left fallow, livestock graze on them to provide fertilizer.

Cows on the terraces

A small adobe building on the path.  Probably used for storage.

Apparently, recycled shoes make great hinges!

Sheep with one hell of a view.  Bolivia is in the background.

One version of the Inca origin story says that the mythic first Inca ruler, Manco Capac, emerged from the depths of Lake Titicaca and then marched on to Cusco to found the Inca Empire.  In reality, the Incas, led by Pachacutec, conquered the Collas in the Lake Titicaca basin in the mid 1400s.  The myth was probably an attempt at incorporating the local Aymara people in to the empire.

Arco de Taquile in the main plaza.

Much of the population of Taquile is descended from Inca colonists.  Quechua is still the primary language, although nearly everyone speaks Spanish as well.

Main plaza in Taquile.

The weaving and knitting traditions on Taquile date back to pre-Inca times.  Men typically knit the chullos (caps with ear flaps) and women weave chumpis (traditional belts).

Man knitting a chullo in the main plaza.

View of the island looking west

Another of the many stone arches on Taquile

There is one primary school on Taquile and another that teaches traditional handicrafts.

Girls weaving bracelets outside of the main main square

Young girl in traditional dress

The view from above Puerto Chilcano.  

Despite being only about 5 square miles, Taquile is basically a mountain that juts out of Lake Titicaca.  The main plaza is fairly centrally located on the island, but can be easily reached from any of the ports.  It does, however, require climbing a lot of stairs.

Chewing coca leafs before sailing back to Puno.

After going down the stairs to Puerto Chilcano, we caught a boat for the long trip back to Puno. After a quick motorcycle rickshaw ride, we spent the night in a very comfortable bed at Casa Panqarani.

Uros Islands

The Uros Islands are floating islands made of totora reeds that grow near the shore of Lake Titicaca near Puno.  The islands are anchored into place with ropes that radiate out from the edge of the islands.  New reeds are continually laid on top as the reeds at the bottom begin to decompose.

The Uros Islands

To get to the Uros Islands it was a two hour ride in a small boat with an outboard motor. 

Jose and the boat that brought us to the Uros Islands.  Another floating island can be seen in the distance.

The Uros people are thought to descend from some of the earliest settlers of the Altiplano, the Urus.  Over time they intermarried with the ethnic Aymaras on the mainland and adopted the Aymara language.  Today, Aymara is the predominant native language south of the Puno region and well into Bolivia.  To the north, Quechua is more common.

A typical home on the Uros Islands

Totora reeds are used for making the islands, the houses and even the boats, known as balsas. The roofs are waterproof because the reeds expand when they come into contact with moisture, the houses need to be rebuilt and repaired regularly.    

Balsa

Today, the balsas are built with empty plastic jugs inside the reeds to help with buoyancy.  The boats typically last a year or two before becoming too waterlogged to float.  

The totora reeds are in the background with the mountains on the shore even further off in the distance

The Uros people took to the floating islands to put some distance between themselves and a succession of more belligerent neighbors, the Collas, Incas and ultimately the Spanish.  While fishing was the traditional means of subsistence, today tourism is the main livelihood.  There are no shortages of embroidered tapestries or handicrafts made of totora reeds.

Children playing on rolled up reed mats

Many of the smaller islands are home to only one or two families. The children attend school on one of the larger reed islands.

Children playing on the Uros with the Chucuito Peninsula in the background

Llachon

This August we took a short trip to Peru, our second in the last few years.  One of the first places we visited was the small town of Llachon on the Capachica Peninsula in Lake Titicaca.

Throughout the Lake Titicaca region, arches like this are very common.

Llachon is about a three hour drive from Puno.  We took a colectivo (a very cramped, but inexpensive, mini-bus) to the town of Capachica.  From there we hopped on another colectivo to get to Llachon.  On the last leg of the trip I was seated next to the door, so I was the de facto doorman (which allowed me to hop out and snap the occasional photo).  

Adobe bricks being dried in the sun at one of the places we pulled over to let someone out after departing Capachicha.

I had made arrangements to stay at the Hospedaje Samary with Felix Turpo.  In Llachon, there are no house numbers or road names and GPS is useless.  Finding Felix’s house could have been a challenge.  I asked the colectivo driver if he knew where Felix lived and he gave a vague “down this dirt road and to the right.”  His directions didn’t instill confidence.  By the time we got to Llachon there was only a mother and her daughter left on the bus with us.  Not really wanting to wander aimlessly around the town knocking on doors, I asked the mother if she knew Felix Turpo.  As luck would have it, she was Felix's sister.  She lived just down the road from him.

As close to an address as you get in Llachon.  The sign that points to Felix Turpo's home, Hospedaje Samary

Felix’s home was perched right above Lake Titicaca.  There are no hotels in Llachon, the only option for spending the night is to do a homestay with a local family.

A view of Hospedaje Samray, overlooking Lake Titicaca.

There are hiking trails in the mountains above the town that lead up to Cerro Incacaros.  Llachon is 12,555 ft. (3,626 m.) above sea level, so it is easy to get winded while walking around, let alone while hiking.  I had picked up a bag of coca leaves in Puno.  These help with the altitude and give you a nice little boost of energy.  I put them to good use hiking in the hills.

The view from part of the way up the main hiking trail in Llachon.

The trails were used to get sheep up to pastures in the hills to graze.  

This girl was leading her sheep back to the village as we were heading up.

Woman spinning wool while watching her sheep.

The stone walls divided up different pastures.

In one of the pastures, a very friendly donkey walked over to greet us.

Friendly Llachonian donkey.

From near the top of Cerro Incacaros, there were good views of Isla Taquile, which we visited the next day.

The island of Taquile off in the distance.

Before heading back to Hospedaje Samary, we walked down to the lake to get a closer look.  

Boats like this are the primary means of transport around Lake Titicaca.  We took one the following day to get to the Uros Islands and Taquile.

By the time we got back to Felix’s, it was time for dinner--fresh trout from the lake, quinoa soup, and potatoes.  Absolutely delicious.

The dining room  at Hospedaje Samary.

After dinner the sun was setting over Lake Titicaca and we were treated to quite a view.

Sunset on Lake Titicaca

Enjoying the view

Woodland Impressions at the Spectrum Gallery

The Spectrum Gallery in Centerbrook, CT will have four of my photos up as part of their newest exhibit, All Natural.  Over the course of the last year I have tried to capture New England's forests using intentional camera movement--basically moving the camera while the shutter is open.  The results are sort of impressionistic.  I chose one photo from each season for the exhibit.

All of these prints are also available through my website.

The opening is this Friday, June 27th from 6:30-9:00.  The show runs through August 10th.  The gallery is located at 61 Main Street, Centerbrook, CT 06409.

Jammin' Exhibition at the Spectrum Gallery

The Spectrum Gallery, which opened it's doors in April, is hosting its first exhibition, Jammin' through June 15th.  If you are able to, stop in and check out some of the amazing work.  The gallery is located at 61 Main St. in Centerbrook, CT.

Pierre Sylvain and Armida Espaillat have some gorgeous paintings hanging.  New York artist, Michael Singletary is the featured artist.  Fellow Connecticut photographers David McCarthy and Tom Kretsch also have some photos as part of the exhibition. 

Here are some of my photos of New Orleans street musicians that are part of the show.

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